Someday You Will Be Old Enough to Read Fairytales Again Meaning
A Fairy Tale for All Ages
The King of beasts, the Witch and the Wardrobe
C.S. Lewis wrote The Lion, the Witch and the Wardrobe in 1950 as a gift for his godchild, Lucy Barfield. He explained the souvenir to her in his preface to the volume: "I wrote this story for you, but when I began it I had not realized that girls abound quicker than books.
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As a result you lot are already also onetime for fairy tales, and past the time it is printed and bound you will be older all the same. Only some day yous will be old enough to beginning reading fairy tales again. You can then take information technology down from some upper shelf, grit information technology, and tell me what you think of it. I shall probably be also deaf to hear, and too old to understand a word you say, only I shall still be your affectionate Godfather, C.S. Lewis."
Lewis later told a friend that he intended to write only the one story, only we know that something happened to this Oxford don, because his story asserted itself into his middle and mind and became seven stories, The Chronicles of Narnia. We are grateful that he was carried abroad and into Narnia, because we are too!
Why is information technology that people as young as half-dozen and as sometime as xc dearest the tales well-nigh Narnia? I institute office of the respond from Lewis himself in an essay he wrote well-nigh William Shakespeare's play Hamlet. Lewis challenges the deconstructionists who were beginning to dominate university literature classes with their various psychoanalytical, political, and sociological interpretive models of Shakespeare's play. One simple sentence from Lewis clears the air when he reminds u.s. that, first and foremost, Hamlet is a darn proficient story: "This play is, in a higher place all else, interesting."
The Chronicles of Narnia are darn good stories, likewise, and we are fatigued into the world of Narnia the moment a friendly voice reads aloud the opening sentences of The King of beasts, the Witch and the Wardrobe. When the reader says, "Well, you better go to sleep now," we inevitably say, "Just 1 more chapter, please." And then, when the lights finally become out, flashlights mysteriously appear as little boys, little girls, moms and dads also, read on ahead simply to see what's going to happen side by side.
Many of us will crowd into pic theatres to encounter the film adaptation of this tale just the fashion we did for The Lord of the Rings and for Harry Potter. Now is the fourth dimension to inquire one simple question: What is it we run into in C.Due south. Lewis' story that is so good?
Every bit The King of beasts, the Witch and the Wardrobe begins, we meet upwards with four ordinary English language children, sent by their parents to stay in the land with a family unit friend in lodge to escape the air raids of a world at war. The children practice what youth would naturally exercise in a large house where an erstwhile professor lives. The morning after their inflow, they explore this business firm of stairs, corridors, and many rooms, including some that are completely empty. The heavy rain and fog make being outside incommunicable, and anyhow they want to see for themselves such a big country dwelling, so different from their abode in London.
An about-empty room is where everything begins. An old wardrobe stands against a wall, and the youngest of the four children, a girl named Lucy, opens its door and decides to footstep within. Long fur coats are hung in the wardrobe, and they feel good close to her face. What happens next takes your breath away, considering the story becomes what Lewis described every bit "a story of the marvelous." In his dedication of the book to Lucy Barfield, he calls the story a "fairy tale." He says to her, "you are already too old for fairy tales." Well, Lewis was wrong on one count. Nosotros are never too former for this story.
Why? As I come across it, we dearest The Lion, the Witch and the Wardrobe because of a convergence of half-dozen elements:
First, considering our imagination is encouraged to wonder beyond what we think we know of the real world.
2d, considering we meet up with characters who fascinate us. We care about them and desire to know what happens to them.
Third, considering Lewis is conscientious well-nigh small details as a storyteller. The details that he keeps meticulous track of are both fun and important to detect.
4th, because nosotros meet up with very deeply felt themes of our own life, such as dear, fear, temptation, and backbone.
Fifth, because the thou themes of all peachy literature are there, too: the battle betwixt good and evil, and the victory of good over evil.
Finally, because the story is fun to read and hear.
The King of beasts, the Witch and the Wardrobe, indeed all the Chronicles of Narnia, are stories of the marvelous that spark our imagination. Lewis once said that he wanted to write stories he would have liked to read as a male child, and Lewis every bit a boy ever imagined animals that would talk, especially mice. The meaning of time as well fascinated him, as well as the changes in reality because of distance. He was intrigued past distance in the outset two books of his space trilogy: Out of the Silent Planet and Perelandra. In The Chronicles, he could reach distance from England and even globe itself by imagining two kinds of time and ii distinct places aslope of each other. Time spent in Narnia does non utilise upward fourth dimension in England. And in a different world, he could re-imagine what good, evil, backbone, and redemption would exist similar.
The Narnia tales are stories in which we encounter up with talking animals — such as the brave mouse, Reepicheep, and the grand flying horse, Fledge. In that location are other creatures as well, like the faun, Mr. Tumnus, and the marshwiggle, Puddleglum. The stories invite our imagination to delight in this place so far away yet, because of magic, so shut. Nosotros find ourselves welcomed into the stories similar the children are welcomed into Narnia, so that nosotros await frontward to each surprise on the next page — and all-time of all we, as well as Mr. and Mrs. Beaver and the English children, run across the golden king of beasts Aslan, son of the great Emperor-beyond-the-ocean. Aslan is non tame, but he is good.
The details in the stories have a way of falling into place merely the mode details should. For this reason, equally a reader of stories myself, I always advise other readers to begin your journey in Narnia with The Lion, the Witch and the Wardrobe and read the stories in the lodge that Lewis wrote them. In that way, nosotros observe the details when we should and not a moment also soon.
The themes of our lives are in the Narnia tales, too. Nosotros experience the cold presence of fear; we experience bad atmosphere; we see courage, temptation, treachery, dear, wisdom. These themes announced as they should and are never fastened like moralistic stickers to the stories; instead they catamenia out of the story. Lewis has a light impact, and it makes these life themes accessible to united states of america, simply never forced upon u.s.a.. The emotional content, therefore, is realistic even though the story is magic.
Best of all, the thou themes are here, also. Nosotros run across upwards with the sheer terror of evil that deceives, tempts, and destroys, but yet is not equally powerful as it first appears. Evil does non know the deeper magic of the power of redeeming love when i who has not committed treachery takes the place of the traitor. In The Lion, the Witch and the Wardrobe, evil works well enough when everything is frozen, only it is non efficient when the thaw begins as Aslan draws near to Narnia. In The Silver Chair, the witch does not finally deceive Puddleglum with her sweet incense and swaying vocalization; he puts his foot in the fire and since burnt marshwiggle smells terrible, it clears his caput and the heads of Prince Rilian, Jill, and Eustace, too.
How should The Chronicles be read? My advice is to let them happen over and around you in their own fashion and without interpretation. Read and savour them beginning of all as stories, then discuss what you read and what you feel and what yous wonder well-nigh.
The grand Narnia story has a way of preparing its reader for the discovery of the vast themes of the Bible that Lewis has made real and new to our imagination and our minds — and so that readers discover for themselves the great golden Lion, the 1 who was called both the King of beasts and the Lamb in the New Testament. Lewis wrote to one friend, "Children know who Aslan is."
— BY EARL F. PALMER
— ILLUSTRATIONS By JASON LETHCOE
EARL F. PALMER is senior pastor of Seattle's University Presbyterian Church. A C.S. Lewis devotee since his undergraduate days at the University of California-Berkeley, he often speaks almost the writings of Lewis to his congregation of iv,500 members, and to national and international audiences. He has described Lewis as a storyteller to whom he owes "a corking debt in helping me to grasp the greatest of all stories — the one that is both wonderfully fantastic and yet truthful." A frequent presenter for SPU'southward C.S. Lewis Constitute, Palmer is pictured here in The George and Dragon, a Seattle pub not different The Hawkeye and Child, 1 favorite Oxford meeting identify of Lewis and his literary friends, the Inklings.
JASON LETHCOE has spent 17 years working for such studios equally Walt Disney Feature Animation and Sony Pictures as an animator and story programmer. He is the writer and illustrator of Amazing Adventures from Zoom's Academy, a book that is also a Summer 2006 moving-picture show starring Tim Allen and Courtney Cox. Lethcoe, a "tremendous fan of C.S. Lewis," drew about of the illustrations on these pages while staying at Lewis' home, The Kilns, this past summer.
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Source: https://spu.edu/depts/uc/response/winter2k6/features/fairytale.asp
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